Thursday, 23 December 2010
Sunday, 19 December 2010
Tuesday, 14 December 2010
Assembly of Bones illustration mk 2
Sunday, 21 November 2010
Monday, 15 November 2010
Tuesday, 19 October 2010
The Assembly of Bones
Kate, sorry. Take care and try not to get eaten by tigers. See you in Oz.
*Edit 32/10/10-Sister pointed out title of story is actually AN Assembly of bones. Rats. Have changed*
Sunday, 3 October 2010
My show at the Dancing Goat
No more posts for October, so you can gaze at the wonderful postery goodness.
Also, I got a shoutout on the Drabblecast here. Combined with the shark cage diving, this means I am now Officially Cool.
Friday, 24 September 2010
Legend comic colouring
I'm still hacking away at the rockface that is Legend. This is the completed coloring for page 42.
Vet illustrations Mark 2
Saturday, 18 September 2010
dammit...
Great, my resolution of not buying comics until I have saved enough money to visit my sister in Australia is pretty damn shot.
My show
I'm pretty busy getting ready for this at the moment. I'm going to show 12/13 pieces and it's a mixture of digital prints like the picture above and original sketches from the Shetlands and Norfolk. Most of the work has been posted here in some form or other, including the chickens on my title picture.
Monday, 23 August 2010
Shetland sketch dump
I found some more pictures but had a problem inserting them into the post I'd already created. So here's a sketch dump. Below is the broch of Mousa. Brochs are pretty cool. Archaelogists used to think they were the Northern Isles equivalent of castles, then they thought they were cool defensive structures that you could build without scaffolding (clever, as there's no trees on Shetland) Now the explanation is edging towards "ritual and ceremonial" which is archaeologist speak for "damned if I know"
Inside the Broch of Mousa
These two drawings are at Eshaness. The cliffs there are hardcore
Another broch, this time at Cillikimin (may have spelt that wrong) near Lerwick. I got a bit obsessed with archeology on this holiday. Entertainment is limited in Shetland, and I like old stuff that's remote and deserted and isn't fenced off. In fact, one of the tombs I went down was entered by an exact replica of the hatch from Lost. If I had broken my ankle down there I'd probably still be waiting to be rescued by a random hiker.
These two drawings are at Eshaness. The cliffs there are hardcore
Another broch, this time at Cillikimin (may have spelt that wrong) near Lerwick. I got a bit obsessed with archeology on this holiday. Entertainment is limited in Shetland, and I like old stuff that's remote and deserted and isn't fenced off. In fact, one of the tombs I went down was entered by an exact replica of the hatch from Lost. If I had broken my ankle down there I'd probably still be waiting to be rescued by a random hiker.
Shetland holiday
I've just spent two weeks in Shetland and Orkney, staying in camping barns, drawing, walking and generally slobbing around. The sketch below is the first place I stayed in- the Windhouse Lodge, the gatehouse to a haunted ruin.
These sketches are just me hanging around the harbour. I like drawing boats.
These sketches are just me hanging around the harbour. I like drawing boats.
Staying in youth hostels was good for drawing, because I'd come in in the evening and get settled and usually someone else would turn up. So I'd go outside to give them room to get their stuff sorted, then I'd come back in and have a chat later. I met some really nice people.
Shetland holiday 2
Shetland holiday 3
I was in Lerwick during the annual Fiddle Frenzy. I ran into a lot of the performers in the youth hostel and ended up going to their last concert. I love drawing people performing but I'm honestly not a folkie- however those that are should check out Maggie and Brian on Myspace
Shetland holiday 4
Shetland holiday 5
This is Orkney, where I went next. It's the first time I've been back since my first backpacking trip at age 17 with my sister. It seemed pretty remote then- I was surprised at how gentle and well-farmed it seemed after Shetland.
These two drawings are the Stones of Stenness.
Stromness in the rain. I hung around for a while getting wet and eventually had to seek shelter in a tapestry artist's studio. She was pretty inspirational- she emigrated from Yorkshire two years ago, set up a tiny house cum studio cum gallery and makes a living teaching art and selling sculpture and tapestries.
This is Tomb of the Eagles. This made a big impression on me at age 17 because it was the only museum I'd ever been in which allowed you to handle 3000 year old artefacts. These were made by Neolithic people, but they were pretty much exactly the same as people today. They weren't daft. The average woman back then was taller than me. I'm a midget*.
Stromness in the rain. I hung around for a while getting wet and eventually had to seek shelter in a tapestry artist's studio. She was pretty inspirational- she emigrated from Yorkshire two years ago, set up a tiny house cum studio cum gallery and makes a living teaching art and selling sculpture and tapestries.
This is Tomb of the Eagles. This made a big impression on me at age 17 because it was the only museum I'd ever been in which allowed you to handle 3000 year old artefacts. These were made by Neolithic people, but they were pretty much exactly the same as people today. They weren't daft. The average woman back then was taller than me. I'm a midget*.
Sunday, 25 July 2010
in bruges
Sunday, 4 July 2010
extreme morris dancing
Tuesday, 29 June 2010
Caption auction artwork
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